The
Reconstruction of the Center Square of Chang Shou Park
-A Practical
Case of Generative Design
Tian
Yunqing, Bao Lin
Shanghai
University, Shanghai, China
tianyq@vnet.citiz.net jonishere@etang.com
Abstract:
This
paper introduces the project of the reconstruction of the center square of
Chang Shou Park, in which the concept of "Generative" is
experimentally applied. The author successfully provides a comfort, lifeful and
harmonic space with varied details and forms by the method of
"Generative". In the paper, the author also proposes some preliminary
ideas about the collection of the basic element(s) from a real urban space and
about the way to develop the basic element(s) in a real urban space. The author
hopes that these ideas can contribute to the development of
"Generative" method, especially to its development in China, where
Generative Art (GA) is a quite new and unfamiliar thing.
1. A Brief
of the Case
1.1 Information about the Park
Invested by the
government, Chang Shou Park was established in Jan. 2000. Located in the Pu Tuo
District, Shanghai, with an area of 4 hectares, it serves as an important
public space for the local communities and the city. The park is just beside
the Chang Shou Road, one of main roads of the city, and is no more than 3
kilometers away from Shanghai Railway Station. A lot of people visit the park
every day and an official or unofficial activity is held every week.
The
survey of Chang Shou Park
1.2 About the Reconstruction
After 5 years of its
establishment, the local authority plans to turn the park into a sculpture park
with a theme of “Harmony” by the reconstruction of the center park and the
installation of more than 20 sculptures made by artists from all over the
world. There is a sculpture made of glass in the center square now and it will
be removed because it has partially broken. The authority hopes that the square
will be a good place for the citizens to take part in a variety of activities after
the reconstruction and that it is more convenient to hold performances there. A
new sculpture named “Harmony” will be placed in the square.
2. How the
GA is applied
2.1 The Solution
From the rendering
rendered by 3ds Max below, you can see the new sight of the park’s center
square.
The
survey of the square
The major changes
are as followings:
A lifted stage for
performance is established with a curvy background made of stone. Clean water
flows from a pool on the second floor, through the three rectangle holes of the
background and into the pool on the ground. The water is recycled with the use
of a hidden pump.
The original broken
sculpture is removed and the ground is be repaved so that people have enough
place to do exercises, to dance or do other things. The center pattern of the
ground is specially designed. It not only looks similar with the removed
sculpture but also has certain meaning which will be discussed later.
The curvy stand for
audience is build so that people can have a good sight of the performances even
they are not able to sit near the stage.
Next, well talk
about how we come to this solution and how GA is applied.
2.2. The collection of element:
Element is the basic
unit that can generate numerous “possibilities” through a certain process. The Collection
of the element, the author thinks, is the most important phase of the entire
process of GA because that it decides the points where the process of
generating starts from and the direction towards which it will go.
First, as for a design
of a real space, the element(s) should be characteristic of the place, related
with the history, culture that the place belongs to. Or, it will be difficult
to generate “possibilities” that is identical. Only if the element(s) is
meaningful, then the “possibilities” can be meaningful. The process shows designer’s
comprehension of the place.
Second, the
element(s) should be as simple as possible,even should be of impartibility. That is because the
simpler an element is, the easier it is to compound and the clearer its
character is. It’s just like an atom, which is extremely simple, can make up of
almost everything of the world.
Thirdly, we can
choose a special line or a special shape as the element to generate, just as
many GA artists have done, however, we think that a certain kind of concept, an
idea or a kind of faith and so on can also be taken as an element, which may
even be a more ideal element.
Why?
Buildings like
architectures or squares may have many different kinds of forms. However, all
the buildings of the same area are the outcome of the working of the people in
that area. They contain a kind of collective spirit when they were built by the
people. At the same time, these buildings have inner connection to each other. People
of the same area usually have similar faith, similar education background,
similar thinking and similar characters, that is, each society has developed
its own spiritual civilization. If we choose a fragment of its spiritual
civilization as our element, then the consequent generated “possibilities” will
be more identical and has much deeper connection to the things around it because
all the other things are, in fact, the existing “possibilities” generated by
the same spiritual civilization.
In the case of Chang
Shou Park, we find that the original glass sculpture has a certain connection
to the Chinese traditional theory of “Yin” and “Yang”. The sculpture’s “negative”
shape and “positive” shape can be separately thought as "Yin" and "Yang"
The original glass sculpture
The symbol of the “Yin and Yang” Yin and Yang” Theory is Chinese traditional
thinking of the universe. It reflects the basic rules of everything in the
universe. The black part represents “Yin”(阴)
and the white part represents “Yang”(阳),meanwhile
there is a black dot in the white part just as there is a white dot in the
black part. The theory thinks everything has two sides which are both
opposite and transferable.
2.3. The development of the element
Then, with the help
of 3DS Max, we develop this concept (element) of “Yin” and “Yang” in the aspect
of material, texture, size, color, shape, dimension and so on.
For example:
The main pattern of
the square’s ground continues the concept with two material-glass and stone.
We use black and white
stone tiles with different size to pave other parts of the ground.
As for the
background, we use a kind of special stones with many small holes.
We make the tiles
into two kinds- one is smooth and the other is rough- so that, you can see the
subtle lines on the background.
People can see the distant
sight or sky through the rectangle holes of background, which is attributed to
the combination of the “negative” shape and “positive” shape.
The combination of
waterfall and the stone background is another form of “Yin” and “Yang”
……
The
simplified main pattern of the square’s ground
3.
Conclusion
By the method of GA,
we have worked out a solution that makes the public space with rich and varied
details and forms. Each detail or form has the same inner spiritual connection.
The solution develops the context of the place, contains the spirit of Chinese
traditional culture and displays the theme of "Harmony".