GA2022 – XXV GENERATIVE ART CONFERENCE

Roma, Italy, 12,13 and 14 December 2022

at Biblioteca Vallicelliana, Sala Borromini

organized by Celestino Soddu and Enrica Colabella Generative Art and Design Lab, Argenia, Roma

www.generativeart.com – www.gasathj.com

12 December 2022

Celestino Soddu, Enrica Colabella, Italy, Chairs of Generative Art conference, OPENING

9:20 - Paper Session

Ahmed Abdulwahid Taha, Oday Qusay Abdulqader, Iraq, Department of Architectural Engineering, Mosul University, Mosul,, THE ALGORITHM OF GENERATING ALTERNATIVE MODELS FROM THE HERITAGE HOUSES’ GATES IN OLD MOSUL CITY, paper

Patryk Wasiak, Poland, Institute of History, Polish Academy of Sciences, Warsaw, PRACTICES OF PROGRAMMING AMATEUR COMPUTER GRAPHICS IN THE 8-BIT MICROCOMPUTER ERA, paper

Amer Abdullah Alazawi, Oday Qusay Abdulqader, Osamah Hammadi Ali, Iraq, Department of Architectural Engineering, Mosul University, Mosul,, THE GENERATING PROCESS OF ALTERNATIVES OF CONTEMPORARY FACADES FORMS FOR HOUSES, paper

Andre Kudra, Germany, AoC Initiative, Germany, Echtzeit – Digitale Kultur, Switzerland, Computerkunst e. V., Germany, DEMOSCENE DISPLAY INSTALLATION, installation(video)

Angela Ferraiolo, USA, Visual and Studio Arts, Sarah Lawrence College, Bronxville, New York, ZEBRA: THREAT AND RESPONSE IN A DYNAMICAL ARTWORK, paper

10:50 Coffee break

11:10 - Paper Session

Enrica Colabella, Italy, Generative Art & Design Lab, Argenia, FLOWING IN GA NATURALNESS , paper

Arne Eigenfeldt, Canada, School for the Contemporary Arts Simon Fraser University, Vancouver, A WALK TO MERYTON , paper and video installation

Celestino Soddu, Italy, Generative Art & Design Lab, Argenia, ABDUCTION FROM BORROMINI. GENERATIVE INTERPRETATION OF THE FAÇADE OF “ORATORIO DEI FILIPPINI”, artwork

Chad Eby, USA, School of Art and Visual Studies, University of Kentucky, Lexington, KY,, MODULARITY AND GENERATIVE ART, paper

Chin-En Keith Soo, New Zealand, University of Waikato, Department of Design, ( CO - WARE ), artwork

Anna Ursyn, Stuart Smith, USA, School of Art and Design, University of Northern Colorado, Computer Science and Music, U Mass, Lovell, URBAN CODES , artwork video

12:50 Lunch

14:00 - Paper Session

Christopher Fry, UK, Westminster School of Art, University of Westminster, REGULATING OBSERVERS: VISUALITY AND THE INFLUENCE OF SCOPIC REGIMES ON THE EXPERIENCE OF VIRTUAL SPACE, paper

Curtis L Palmer, Canada, Edmonton, Alberta, THE BLACK HOLE AT THE CENTRE OF THIS ORB IS A RHOMBIC DODECAHEDRON, artwork

Daniel Bisig, UK, Switzerland, , "Center for Dance Research, Coventry University, Coventry, United Kingdoms; Institute for Computer Music and Sound Technology, Zurich University of the Arts, Zurich, Switzerland, PRACTICAL RESOURCES FOR DEVELOPING IDIOSYNCRATIC GENERATIVE SYSTEMS FOR DANCE, paper

16:10 Coffee break

16:30- Paper session

Alain Lioret, France, ESGI Digital Lab, QUANTUM BEINGS, paper

Davide Prete, Sergio Picozzi , USA, University of the District of Columbia, The Catholic University of America, GENERATIVE DESIGN OF LATTICE STRUCTURES FOR 3D PRINTED SCULPTURES, paper + artwork

Dmitry L. Weise, Russia, Central Research Institute of Dental and Maxillofacial Surgery, Department of Radiation Diagnostics. Moscow, PERIODIC STRUCTURES ON PHYLLOTACTIC PATTERNS, paper

Dota Alexiou, Gourdoukis, Greece, School of Architecture, Aristotle University of Thessaloniki, SYMMETRY AS REPETITION, paper

Dragana Ciric, Serbia, Independent Scholar/Scientist, PI, Founder and Architect / unit [d]., GENERATIVE DESIGN PRINCIPLES AND ALGORITHMIC THINKING IN ARCHITECTURAL PLAN VARIATIONS: HUMAN TO MACHINE APPROACH , paper

20:00 Conference dinner

13 December 2022

9:00 - Paper Session

Elisavet Parisi, Dimitris Gourdoukis, Greece, School of Architecture, Aristotle University of Thessaloniki, XENAKIS AND THE OTHER BETWEEN DETERMINISM AND THE UNEXPECTED, paper

Celestino Soddu, Italy, Generative Art & Design Lab, Argenia, GENERATIVE ART AND DESIGN. VISIONARY ALGORITMS FOR A NATURAL COMPLEXITY, paper

Hans Dehlinger, Germany, Department of Product Design, Universität Kassel, IMAGE FROM FIBONACCI GENERATIVE ART SERIES: FIB_D2_ROT-2016, artwork

Vasilis Agiomyrgianakis, Haruka Hirayama, Greece, Department Audio & Visual Arts, Ionian University, Corfu, Greece, Japan, Department of Information Media, Hokkaido Information University, Ebetsu, Japan, ACTS FOR TELEMATIC PAINTING AND LIVE CODING, paper

Helena Verril, UK, Department of Mathematics, Warwick University, GENERATIVE ART FROM THE CALCULUS CLASSROOM, paper

Ben Baruch Blich, Israel, Faculty of the Arts in Tel Aviv University, MODELLING THE ARCHITECTURAL MODEL, paper

10:50 Coffee break

11:10 - Paper Session

Jeff Morris, USA, School of Performance, Visualization, and Fine Arts,Texas A&M University, College Station, Texas, SNAKE IN THE LABYRINTH, paper + video music

Leo Baldwin-Ramult, New Zealand, Elam School of Fine Arts, University of Auckland, GENERATIVE COMPUTER ART AND THE UNCONSCIOUS, paper

Mahnaz Shah, UK, Edinburgh School of Architecture and Landscape Architecture, University of Edinburgh, CITY OF MEMORIES – CITY OF VOIDS. GENERATIVE MECHANISMS WITHIN CONTEMPORARY GLASGOW CITY, paper

Mark Zanter , USA, Marshall University, School of Music, THE USE OF MARKOV CHAINS IN EX MACHINA, paper

Michael Burt, Israel, Faculty of Architecture & Town Planning Technion I.I.T Haifa, KALEIDOSCOPES - KALEIDOSPACES ON A BUILDING SCALE AND THEIR INNER ORCHESTRATED SPATIAL CHOREOGRAPHY, paper

12:50 Lunch

14:00 - Paper Session

Monika Karwaszewska, Poland, Stanisław Moniuszko Academy of Music in Gdańsk, TO SEE THE INVISIBLE. INPHRASTIC INSPIRATIONS BY NIGHT NATURE PHOTOGRAPHY. FROM PHOTOGRAPHY TO AUDIOVISUAL COMPOSITION, paper

Nathan Matteson, Nicholas Kersulis, USA, School of Design, College of Computing and Digital Media, DePaul University, Chicago IL; Otis College of Art and Design, Los Angeles CA, GOOD-FOR-NOTHING (WORKING-CLASS ITALIAN GENTLEMAN #1) AND GOOD-FOR-NOTHING (WORKING-CLASS ITALIAN GENTLEMAN #2), paper

Philip Galanter, USA, School of Performance, Visualization & Fine Art, Texas A&M University, College Station, MATERIAL GENERATIVE ART, paper

Robert Spahr, USA, School of Media Arts, Southern Illinois University Carbondale, AESTHETIC MUSINGS: EVIL AS A GENERATIVE PROCESS, paper

Rongrong Zhou, China, Peking University, CURATED NOVEL, paper

16:10 Coffee break

16:30- Paper session

Silvija Ozola, Latvia, Riga Technical University, THE MAGIC OF LIGHT IN THE URBAN ENVIRONMENT IN LATVIA, paper

Sławomir Wojtkiewicz, Poland, Bialystok University of Technology, Faculty of Architecture, Department of Visual Arts, THE CONSTRUCTION, artwork

Tatsuo Unemi, Japan, Department of Info. Sys, Sci., Soka University, Hachioji, INDIVIDUAL-BASED EPIDEMIC SIMULATOR AND ITS VISUALIZATION AS GENERATIVE ART, paper

Tristan Cazenave, Guillaume Grosjean, Baptiste Rozière, Anna Pappa, France, LAMSADE, Université Paris Dauphine – PSL, Paris - LIASD, Université Paris 8, Saint-Denis, MOLIAIRE, A THEATRICAL AGENT WHICH SPEAKS LIKE MOLIÈRE’S CHARACTERS, paper

Adam Fung, Nick Bontrager, USA, School of Art, Texas Christian University, PRINCIPLES OF DESTRUCTION (EMERGENCE), video

14 December 2022

9:00 - Paper Session

Umberto Roncoroni, Peru', Facultad de Diseño, Universidad Peruana de Ciencias Aplicadas, Lima, PROGRAMMING COMPLEX 3D MESHES. A GENERATIVE APPROACH BASED ON SHAPE GRAMMARS, paper

Yan Bello Méndez, Spain, Creative Founder & AI Expert. SpaceMinds SL, Madrid, AN AGILE - MULTIDISCIPLINARY APPROACH AND INNOVATIVE TOOLKIT TO CATALYSE GENERATIVE CREATIVITY AND CHANGE , paper + artworks

Zi-Ying Liao, Sheng-Fen Chien, Taiwan, National Cheng Kung University, Tainan, INK-SIGHT, MY SIGHT, paper

Round Table

10:50 Coffee break

11:10 – Live Performance Session

Filippo Gregoretti, Daniela Bendoni, Italy, Dipartimento di Scienze della Comunicazione, Università Suor Orsola Beincasa, Napoli, AD VITAM, EXPLETUS, AN AI POWERED AUDIO-VISUAL JOURNEY INTO IMPERMANENCE, performance

Beata Oryl, Michał Garnowski, Poland, Stanisław Moniuszko Academy of Music in Gdańsk, ALBION - REMIX INTERMEDIA PROJECT, performance

12:50 Lunch

14:00 – Live Performance Session

Guillaume Rochais, France, ACCRA, Université de Strasbourg, SURFING THE AUDIO WAVE: A7, A CUSTOM GENERATIVE VJING SOFTWARE FOR VISUAL IMPROVISATION, performance

Enrica Colabella, Celestino Soddu, Kathryn Ricketts, Italy, Generative Art & Design Lab, Argenia, Canada, University of Regina, NATURALNESS SILENCE, performance

Jonatas Manzolli, Alexandre Zamith, Daniela Gatti, Mariana Baruco Andraus, Manuel Falleiros, Brazil, Department of Music, Institute of Arts, Int. Nucl. Sound Studies (NICS) UNICAMP, Campinas, JARDIM DAS CARTAS: GENERATIVE AND INTERACTIVE INSTALLATION IN MIXED REALITY FOR MUSIC AND DANCE, performance

labora media, Germany, labora media, SALTATIO UNDA, performance

Kathryn Ricketts, Angela Ferraiolo, Arne Eigenfeldt, Canada, USA, University of Regina, Canada, Simon Fraser University, Canada, Sarah Lawrence Collage, USA, BLOMSTER, Performance + video installation

Philip Galanter, USA, School of Performance, Visualization & Fine Art, Texas A&M University, College Station, SYMBIOTIC CHROMATICS, artwork-performance

Sławomir Wojtkiewicz, Poland, Bialystok University of Technology, Faculty of Architecture, Department of Visual Arts, THE CONSTRUCTION, performance